There's a novel I read some years ago-- Elizabeth Kostova's "The Swan Thieves" (New York: Little, Brown & Co., 2010) that I picked up again the other day. I'd read her "The Historian" when it first appeared, and I was looking forward to her second novel.
The novel itself is about the art world, psychiatry, and what constitutes beauty. It's also about age, desire, and loss. I hadn't thought about "The Swan Thieves" in years, but I half-remembered one particular passage and wanted to find it again.
The setting is simple. The hero, a fifty-something psychiatrist who's also a failed painter, goes to the National Gallery to look at a particular painting, one that's prompted one of his patients to try and deface the canvas. He's talking to one of the workers at the information desk when he notices a twenty-ish young girl who works there as well. The girl, he notes, has dyed-obsidian hair and green eyes...and then he's launched off into fantasy:
I found myself staring at her, unexpectedly stirred. Her gaze was knowing as she stood there behind the counter, her body lean and flexible under a tight-zipped jacket, the smallest curve of hip showing between that and the top of a short black skirt-- that would be the maximum glimpse of abdominal skin permitted in this gallery full of nudes, I speculated. She might be an art student, working here in her spare time to get through school, a gifted printmaker or fashioner of jewelry, with those long, pale hands. I pictured her up against the counter, after hours, no underwear under that too-short skirt. She was just a kid; I looked away. She was a kid, and I was no catch, I knew...
I do love that brief glimpse of the girl. Well, of course I do. Short skirt, no underwear, emplaced in the worlds of art and academia, in her early twenties-- those things are all on my list of criteria for a perfect fantasy girl. Especially the idea of her up against the counter after hours, skirt up around her waist, one leg hooked around me. How could I not like that? The paragraph might've been written specifically for me.
I recall that when the novel came out, Ms. Kostova was attacked online and in reviews for that paragraph. Far too many self-described feminist reviewers were appalled that she gave her male main character such thoughts. How dare a character have such thoughts in a novel, especially a character in his fifties?
I was annoyed and amused at the attacks. Once again, here we are-- assigning real-world blame to an author for the thoughts of a fictional character. I was amused, too, since I'd have had the exact same thoughts there at the gallery information desk. The issue of age would never have occurred to me, not then and not now.
We're not supposed to have fantasies these days. We're not supposed to feel, let alone admit to feeling, physical desire. Sexual fantasies aren't for anyone male these days, let alone males of a certain age. I'm not sure what the Arbitrary Social Rules say about female desire and female fantasies these days, but I do suspect that the Purity Culture of the Year Twenty-Five opposes such things.
Let's be clear. I'd certainly have the same thoughts the character in the novel had. I wouldn't act on them, of course, and these days I'd never admit to anyone that I was having such thoughts. I'd certainly never admit to anyone female that I had sexual thoughts about anyone, ever-- not even if I was talking to a lover.
I'm a person of the male persuasion and of a certain age. I know better than to have fantasies. Fantasies are thoughtcrime. We know this in the Year Twenty-Five. To have fantasies as a male, let alone fantasies about anyone younger, only enhances the thoughtcrime. Male sex is itself suspect, since all male sex is "mediocre" by definition. To be male and feel desire is to be actively harming the object of desire, even if that person never knows she's being desired.
It's better to do and feel...nothing. To do anything else is to be open to both anger and mockery. To have thoughts about beauty and desire is to show oneself as pathetic, ridiculous, and dangerous. Better to avoid all crimethink, to do and feel nothing at all, lest you be held in contempt for your irrefutable failings.