Monday, January 30, 2023

Three Six Two: Regimentals

I haven't yet seen "Tár", though I very much want to. It's the sort of film that does intrigue me-- the Creative Genius under stress, a world with its own arcane skills and rituals. 

And of course there are film stills of Cate Blanchett in black tie and severely tailored suit. That's a look that's held my attention for years. I'm rather an admirer of garconne style, all the way back to my lost youth. I remember sighing over photos in old magazines of Swinging London models in man-tailored suits, and I recall being at university and seeing some of the more daring girls going to parties and proms in severe suits and expensive neckties. 

I would've given a lot to have been able to take the young Jane Birkin or the young Marisa Berenson dancing in Sixties London or Paris while they were dressed in garconne look. And tonight I'm thinking of a Sixties actress/model named Merle Lynn Browne, who wrote a comic "expose" of "jet set" sexual adventures called "The Ravishers". The paperback edition of the novel showed a lovely photo of her in a tailored suit, light brown hair in some Sixties style falling over her shoulders. I saw her once on (I think) the old "Tonight" show in the days of Johnny Carson. She was there to talk about her novels ("The Ravishers" and its sequel, "The Arousers"), and she was in pin-striped suit and tie. That's a memory that's stayed with me since boyhood. 

These days, now...are we allowed to find lovely long-legged garconne girls attractive? Are we still allowed to...gender-bend? What are the semiotics of girls in man-tailored suits these days? I suspect that the image of a girl in a man-tailored suit is regarded these days as being about anything except sex.

Some months ago, I read about a literary-world scandal involving Donna  Tartt. I've been a fan of Ms. Tartt since ever I read "The Secret History" when it first appeared. It seems that some podcast or other had interviewed some of Tartt's Bennington classmates about her life as an undergraduate, and somehow the podcast had become part of the gender wars. 

There were ex-classmates who argued that Ms. Tartt's signature elegant suits and ties were part of her whole design to "have sex like a young boy", and that (shock! horror!) her love life at Bennington was all about boys who were gay or gay-adjacent. I wasn't sure why any of that was supposed to be shocking...or the least surprising. From the first magazine photos of Ms. Tartt I saw, I'd taken it as a given that her boyfriends would be at least gay-adjacent. And I assumed that her own social pose would be "handsome gay boy at Oxford 1925".  I did laugh at one of the shock-horror types who went into gender wars mode and sniffed that there was no such thing as "having sex like a young boy"-- showing that here was someone who either being deliberately obtuse or had zero imagination.

I'd known girls all through my undergraduate days who desperately pursued arts-and-literature gay-adjacent boys, and who loved pretending to be pretty gay boys in some "Brideshead Revisited" fantasy world. I looked at the photos of Ms. Tartt in her suits and ties and knew exactly what was going on. It wasn't about the Trans Wars at all. It was about sex and class, or at least sex and aesthetics. After all...the whole "Dark Academia" thing always incorporated lots of sexual role-play and visions of academia as a setting for gay aesthetics. 

Whether it's Lydia Tár or Donna Tartt or the young Jane Birkin, the garconne look attracts me. It's sleekly elegant, which I always love, and it's very deliberately artificial. It's role-play, and that's always better than the current obsession with "authenticity". 

Even here, in the autumn of my days, I like the idea of a leggy co-ed in a tailored suit, and I like the idea of sharing my necktie collection with her.


Monday, January 2, 2023

Three Six One: Clowns

I've been following along with the Trans Wars over the holidays. They're the latest round in the larger Culture Wars.  And the current campaign  seems to be built around drag queens. 

I can remember seeing drag shows back in the Long Ago, back in my clubland days. I can recall seeing an advertising poster for a drag show in Vienna and realizing that "Travesti", the local term for a drag show, was related to both "travesty" and "transvestite". No, I was not very knowledgeable at that age.  I can remember seeing drag shows, though I don't recall ever finding them very interesting. The shows were almost inevitably "tributes" to female singers or actresses who'd become gay icons. Lots and lots of drag queens on stage doing Liza Minelli or Nina Simone imitations. The music was never my style, and I was too young to have any appreciation for Joan Crawford (or even Joan Collins) impersonations. 

I might've responded better to things like Dame Edna Everage, but that kind of performance (is "panto" a correct term here?) wasn't on offer at dance clubs in my Lost Youth. 

Anyway...here we are in 2023, and Drag Queen Story Hours are a battleground. The right wing and the most strident of the GC brigade now see outright evil in drag queen performances and refer to drag queens as "groomer clowns".  I'm not sure what to say to that.

Maybe the whole idea of a drag show has changed since I was in my twenties. I remember the shows as being a mix of beauty pageants and icon tributes. They weren't for children, but that was largely because children wouldn't have had any idea who Talullah Bankhead was, let alone Jayne Mansfield. I can recall the jokes as being sly and filled with double entendres, but I don't recall the shows as being overtly sexual. I don't recall any strip shows as part of drag performances, even in largely gay clubs.

I've seen drag queen brunches where the waitstaff were in drag and did comedy bits at the tables. The humor isn't really my thing, and at brunch I usually just want to drink Mimosas and be left alone to (I hope) flirt with my lovely co-ed companion. But I have no moral objection to someone in drag bringing me eggs Benedict and hash browns. And I have no objection to someone in drag reading books to children.

I can remember a few years ago when there was a less hysterical controversy over sex workers reading books at libraries to children. The sometime porn actress Sasha Grey was attacked by the right wing for that, for being a volunteer at her local library and reading to kids. I was very sympathetic to Ms. Grey and other sex workers. Being a volunteer reader was a good deed in itself, and I understood her political point, too. Being a sex worker didn't (and doesn't) make someone a monster, and volunteering at a local library was a way to show that sex workers were part of the community. 

So I can understand why drag performers might want to do story hours. The idea is to show that they're simply entertainers and that they're part of a larger community... and that they're willing to volunteer to do constructive things-- like teaching children that reading is fun.

I'm a bit wary, mind you, of the way drag queens have been conflated with trans folk. My own understanding was that most drag queens aren't trans-- that they're gay men. My own understanding is that some might simply be transvestites and might be straight. Drag has its own history and it's not just a subset of the trans world. There's a critical argument to be made about drag as being misogynistic (the whole "woman face" argument), and whether or not you agree with it, it's at least a respectable argument. But it's poor damned history to see drag as being inherently trans. 

I'm wary, too, of the right-wing arguments that drag performers reading to children constitutes "grooming". When the right accuses drag performers of "sexualizing" children, I have to be skeptical. What they really mean is that they're angry that children are being told that some people are gay or trans, or that it's possible to be different. They don't object to stories where two hetero characters kiss or marry. What they object to is any performance or story that suggests that heterosexual monogamy isn't the only kind of acceptable romance. 

My own view of the Trans Wars leans more to the GC side. Take that as a given. There are two biological sexes for humans, and humans don't change sex. But there are multiple genders-- maybe as many as there are individuals, since each and every individual is  a different mix of socially-defined traits for men and women. 

But I have no time for people who use the Trans Wars as a way to re-fight the LGB Wars of the 1970s-90s. I have no time for people whose ultimate argument is that anything not "normal" is evil, or who use dislike of the TRA types to attack LGB people.